Anita Desai's Bye-Bye Blackbird: A Study in Alienation

Anita Desai is a powerful and persuasive voice among the Indian novelists cut off from their ethnic roots. A close study of Anita Desai's works reveals her struggle for female autonomy played out against the backdrop of the patriarchal cultural pattern. Her protagonists … are constantly confronted with the stupendous task of defining their relation to themselves and to their immediate human context. (Mehta: 1999:36) The process of alienation and rehabilitation involves a three tier operation, viz, construction, and reconstruction. For example, when a man is ready to migrate, his beliefs, responses, attitudes, behavior pattern, etc, have already had a shape according to the systems of the place to which he or she belongs. This is construction phase. Then, he or she migrates to the new place which has its own life style. So the immigrant has to first deconstruct what is constructed and then reconstruct according to the life pattern of the new place. This three tier operation can also be seen as follows: one, the departure from the root place and arrival at the new one; two, recognition and Reassociation with the new place; three, rehabilitation and reassimilation with the new place. Then, there are three basic factors which obstruct or facilitate the completion of the process of rehabilitation, viz, the scale of sensitivity, the previous Sanskars and the conditions at the rehabilitation phase. In Bye-Bye Blackbird Anita Desai has dealt with this complex problem of alienation. The novel is mainly woven round two groups of characters, viz, Adit Sen, his English wife Sarah, and Adit's Indian friend Dev; and the two Indian couples-Jasbir-Mala, Sammar-Bella. A careful reading of the novel shows that there has been no problem in the process of deconstruction, reconstruction and rehabilitation of Sammar, a Doctor, and his sweet wife Bella; Jasbir, an

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is undoubtedly a distinguished novelist on the contemporary commonwealth literary scene. In an era of rapid social changes, she has played a vital role in defining female selfhood by focusing on predicaments and dilemmas faced by Indian women in cross-cultural conflicts. Her novels have a deep cultural significance as she successfully captures, in them, the transitional phases of the continuously changing roles of contemporary women in India. In Bye-Bye Blackbird Anita Desai treats the theme of human predicament resulting from the cultural hybridity, cross-cultural conflicts, alienation etc. In this novel, she very successfully portrays the problems of Indian immigrants to England. She presents this dilemma of the Indian immigrants in England through the story of Adit, an Indian immigrant, who comes to England and marries a British girl Sarah. Now, this interracial marriage becomes the cause of confrontation between their different cultures. Sarah feels as if she has been sandwiched by the forces of these Occidental and Oriental cultures. The character of Dev represents Indians' hatred of British culture. In the beginning, Dev is very much disappointed at the racial discrimination by the British people who show their disrespect for Indian immigrants, but by and by there appears a gradual change in the behavior of Adit and Dev as the novel progresses. It is Sarah who takes the initial step of breaking the code of British culture when she marries a black Asian. We know she belongs to the West whose people think of themselves to be refined in their culture. The three major characters Dev, Adit and Sarah are obliged to face the problem of adjustment and readjustment in London. Now, this predicament of the three people is taken as a work of God on mythical plane, from the point of view of India.

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university of M'sila

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Ever since Post-Colonial literatures have come into existence, the writers were trying to create a new form of fiction within the English language by incorporating new images and above all new rhythms. One of the major features of postcolonial texts is the concern with place and displacement, shifting of location and resulting in " the crisis of identity into being" (Bill Ashcroft and et al., 47).Often, the protagonist of a post-colonial work will find himself/herself in a struggle to establish an identity; feeling conflicted between two cultures-one his own native culture and the other an alien culture. Therefore, a central theme in post-colonial writing is the transformation of the native into something other than himself-a Westernized native, or at least one who is in a crisis regarding his/her own cultural identity. Here, there is always a tension between wanting to belong to the new society yet wanting to retain the culture of the old one. One of the major concerns in postcolonial literature is the problem of displacement and its consequences. Uprooting from one's own culture and land and the agonies of rerouting in an alien land are depicted in many postcolonial works. This paper is an attempt to discuss the postcolonial dilemmas faced by the characters in Kiran Desai's novel The Inheritance of Loss. They often face the problem of identity and alienation and become frustrated at the end. Even when they come back to their own country, like the Judge in the novel, they develop a sense of distrust and anger. They are in a state of confusion from which they will find it difficult to come out. The paper will mainly focus on the postcolonial experiences of Jemubhai Patel, the Judge and Biju, the son of the Judge's cook who eventually supposed to have found out happiness in the reunion with his father, though he has lost all that he earned from his brief time in America.

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Journal for Research Scholars and Professionals of English Language Teaching

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